![]() The result can be fascinating to listen to, but no one could work out how to deploy timbre in the same way as we do pitch and rhythm, or even if that is possible. Schoenberg and Webern experimented with what they called “sound color melody,” in which a single melody was parceled out between several instruments so that each played just a few notes in succession. Some composers have tried to do that, blending the sound of conventional instruments to make new, composite timbres. He said he had heard my arrangements played by the Harvard Band at the Stadium football games and asked me to make a symphonic setting of Harvard songs for the. ![]() Gran Diccionario de la Lengua Española © 2022 Larousse Editorial, S.L. MÚSICA Fragmento musical ejecutado pellizcando las cuerdas de un instrumento de arco. A light-hearted holiday number with clever musical effects is just what youll need. en el que puedes escuchar en directo a los mejores músicos y formaciones de España Rtve Play en directo Play Radio. If we understood it better, both in acoustic and in psychological terms, perhaps we might make more systematic use of it in music. MÚSICA Sonido que se produce al pellizcar con los dedos las cuerdas de un instrumento. Cover for Bells and Pizzicato, Easy Music For Strings by Hal Leonard. Pizzicato es un programa de TVE que reune música clásica, jazz, flamenco. Even officially it is defined more by what it isn’t than by what it is. But timbre is not in fact a single musical attribute at all-it’s a dumping ground for all the aspects of sound we can’t conveniently identify as pitch, rhythm or tempo. Some characteristics of timbre come from the mix of overtones in the sound, and some comes from the rise and fall of loudness as it is played. When symphony orchestras play lush interpretations of rock music, we learn (if we can bear it) that a badly amplified Fender Stratocaster can sometimes say much more than the precise, clean intonation of a 40-piece string section. It’s the least understood of musical properties, but is central to the way we respond to music, which after all is not just about pitches and harmonies annotated on a score but about the quality of the sound with which they are voiced. Timbre is the distinctive quality of the sound produced by different sources or instruments: it is what distinguishes a middle C played on a violin from one played on a piano.
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